| Name |
Year |
Actor |
Actress |
Director |
Screenwriter |
Reasons |
| Manito |
2002 |
Franky G., Leo Minaya, Manuel Cabral, Hector Gonzalez and Panchito Gómez |
Julissa Lopez and Jessica Morales |
|
|
For ensemble cast. |
| America and Lewis Hine |
1985 |
|
|
Nina Rosenblum |
|
For a dramatic feature. |
| In Heaven There Is No Beer? |
1985 |
|
|
Les Blank |
|
For a dramatic feature. |
| Kaddish |
1985 |
|
|
Steve Brand |
|
For a dramatic feature. |
| Streetwise |
1985 |
|
|
Martin Bell |
|
For a dramatic feature. |
| The Times of Harvey Milk |
1985 |
|
|
Rob Epstein |
|
For a dramatic feature. |
| Almost You |
1985 |
|
|
Adam Brooks |
|
For a documentary feature. |
| The Killing Floor |
1985 |
|
|
Bill Duke |
|
For a documentary feature. |
| Stranger Than Paradise |
1985 |
|
|
Jim Jarmusch |
|
For a documentary feature. |
| Chile: Hasta Cuando? |
1987 |
|
|
David Bradbury |
|
For a documentary feature. |
| Working Girls |
1987 |
|
|
Lizzie Borden |
|
For a dramatic feature. |
| Heavy |
1995 |
|
|
James Mangold |
|
For direction. |
| Rhythm Thief |
1995 |
|
|
Matthew Harrison |
|
For direction. |
| The Salesman and Other Adventures |
1995 |
|
|
Hannah Weyer |
|
For short filmmaking. |
| Tom's Flesh |
1995 |
|
|
Jane Wagner and Tom DiMaria |
|
For short filmmaking. |
| Nonnie & Alex |
1995 |
|
|
Todd Field |
|
Short filmmaking honorable mention. |
| Trevor |
1995 |
|
|
Peggy Rajski |
|
Short filmmaking honorable mention. |
| Fresa y chocolate |
1995 |
|
|
Tomás Gutiérrez Alea |
|
Special mention. |
| Águilas no cazan moscas |
1995 |
|
|
Sergio Cabrera |
|
For latin cinema. |
| Fishbelly White |
1999 |
|
|
Michael Burke |
|
For short filmmaking. |
| On the Ropes |
1999 |
|
|
Nanette Burstein and Brett Morgen |
|
For a documentary feature. |
| Happy, Texas |
1999 |
Steve Zahn |
|
|
|
For his comedic performance. |
| Treasure Island |
1999 |
|
|
Scott King |
|
For distinctive vision in filmmaking. |
| La Vida es silbar |
1999 |
|
|
Fernando Pérez |
|
For Latin American cinema. |
| The Ballad of Ramblin' Jack |
2000 |
|
|
Aiyana Elliott |
|
For artistic achievement. |
| George Wallace: Settin' the Woods on Fire |
2000 |
|
|
|
Daniel McCabe, Paul Stekler and Steve Fayer |
For writing a documentary. |
| Songcatcher |
2000 |
Aidan Quinn and Gregory Cook |
Janet McTeer, Pat Carroll, Jane Adams and Iris DeMent |
|
|
For outstanding ensemble performance. |
| The Tao of Steve |
2000 |
Donal Logue |
|
|
|
For outstanding performance. |
| Children Underground |
2001 |
|
|
Edet Belzberg |
|
|
| In the Bedroom |
2001 |
Tom Wilkinson |
Sissy Spacek |
|
|
|
| How to Draw a Bunny |
2002 |
|
|
John W. Walter |
|
|
| Señorita extraviada |
2002 |
|
|
Lourdes Portillo |
|
|
| Real Women Have Curves |
2002 |
|
America Ferrera and Lupe Ontiveros |
|
|
For acting. |
| Secretary |
2002 |
|
|
Steven Shainberg |
|
For originality. |
| A Certain Kind of Death |
2003 |
|
|
Blue Hadaegh and Grover Babcock |
|
For a documentary feature. |
| The Murder of Emmett Till |
2003 |
|
|
Stanley Nelson |
|
For a documentary feature. |
| All the Real Girls |
2003 |
|
|
David Gordon Green |
|
For emotional truth. |
| Die, Mommie, Die |
2003 |
Charles Busch |
|
|
|
For outstanding performance. |
| The Station Agent, Pieces of April and All the Real Girls |
2003 |
|
Patricia Clarkson |
|
|
For outstanding performance. |
| What Alice Found |
2003 |
|
|
A. Dean Bell |
|
For emotional truth. |